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© 2025
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‘Reverse Archaeologies, Architectural Sites & Archives’
‘Classroom Ecologies, The Educational Complex’
‘The Museum of the Future, Educational Facility, Shelter, Refuge, Supermarket’
‘As Stated, On Artist Statements’
‘After Empty Conditions’
‘Ambivalent Conditions, Virtual Viewing in the Epoch of Distance’
‘Survival Aesthetics, Interview Series’
‘On Collapse Structure, Survival Aesthetics’
‘On Yuki Okumura, Survival Aesthetics’
‘On Kawara On, Survival Aesthetics’
‘Multiple Authorship, After Institutional Aesthetics’
‘Survival Aesthetics, On Behalf of Other People’
‘Analogue of Survival, Secondary Reflexive’
Table Maps ‘Thesis as Gameplay, Mapping Art Research’
Unknowns_ ‘Never Too Late Never Modern’
‘Museum Sketch, Tertiary Reduction’
‘Other Contingencies & Parallel Relations’
‘Platform for Shared Praxis, Put Your Object on My Platform #03’
‘Functional Sculpture, Social Concrete’
‘Embodiment and Theatricality, In Minimalism’
‘The Museum Lifestyle, Endurance of Structure’
‘Floortalks & Installs, Painting in the Conceptual Field’
‘TAL, Temporary Autonomous Library’
‘Reshaping the Invisible, Weird~Heavy Publications #01’
‘UHU, The Double Bind, Binary adhesion Substance & Practice’
‘We Can’t Put It Together, It Is Together’